Monday, November 22, 2010

Vicar - Moment

If you're looking for proof that I'm biased in my blog content you might want to pay attention here since that's my painting on the cover of Vicar's new album "Moment". And to be fair I am biased as all hell, but I also don't do album art for bands I don't think are absolutely awesome. Vicar are absolutely awesome.
The brain child of Tyler Lovell bass player for one of my favorite bands going AE Bridger, the guys are real  young but they know what they're doing. Vicar are easily the most experimental and sonically confrontational band that can also call themselves "rock" on the east coast. The sound is DENSE, the drums and vocals march like the gestapo and the guitars perform fine needlework on your brain. Listening to the album is like watching a Max Ernst collage violently destroy a car park. There is not much tranquility on this release, Orwellian death marches are broken up only by the voice of Tron-like demon gods operatically pummeling a theatrical Einst├╝rzende Neubauten chorus into your chest plate. Look at me, the hyperbole is spilling from me like tropical geyser. Anyway, it's real good. 
It got nominated on The Scope's long list for the Atlantis music prize, it's not gonna win, but give this album some friggin' attention anyway.   


Giv'er a listen in the player below.




Sunday, November 21, 2010

Hunting Winter

Before I start flooding this blog with vile self promotional nonsense I should talk about some of the cool stuff my friends have been doing since I went on blogging hiatus.

Justin Mahoney is one of my oldest friends/most talented musicians I know. He's the first of a few of my Corner Brook friends who went from playing BRUTAL technical death metal in highschool and naturally transitioned into jazz and then of course to country music. For the last few years he's been working as a genuine, fer reals professional musician in Toronto backing up mainstream acts such as Brian Byrne and Tara Oram while also working the underground in acts like North Amorica, The Evelyn Room and The Coastguard. Over the years we have been bugging the crap out of him to get on the go recording his own material and this year he is relenting in a big way.

Under the moniker "Hunting Winter" Justin has come up with a haunting and dramatic short player with bare boned but exquisite guitar playing and aching close knit vocal harmonies. The songs express a certain kind of sorrow with a simple poetic understatement that doesn't beat you over the head with any trite sentimentality. If you are the type who needs a list of similar artists to compare to before you listen to anything, I'd say you wouldn't be too far off comparing Hunting Winter to Bon Iver mixed with a bit of the more polite John Frusciante. The songs are a more direct and a little less "precious" then a Bon Iver or Fleet Foxes but have a similar direction towards the transcendental despite the homespun quality of the recordings.

Anyway, give the EP a listen to yourself in the player down below if you're curious. And if you like it GO BUY IT.

Friday, November 19, 2010

ZOMBIE BLOG COMING BACK FROM THE DEAD SOON!! as soon as my new album is done...

I mean it! I am gonna start blogging again (eventually), and I won't stop for it awhile. I will do this as soon as I am finally finished this friggin' bloody album, which I have been slaving over since January of this year. It is just about at the stage where I can no longer make it sound any better without scrapping the whole thing and starting over again. I've been so deeply entrenched in the production of it I've basically forsaken all other aspects of my life such as this blog and my reviews for The Scope. It's gonna be friggin' good though. At least I hope it is, I listen to all the songs about 4 times a day and tweaked and re-tweaked them to the point that I have absolutely no idea if they are any good or not. Sometimes when I listen to it at night I fucking LOVE it and sometimes when I listen to it in the morning I fucking LOATHE it. I've heard other people talk about how they can only hear the flaws in their own work when they listen to it, and I definitely have a bit of that on the go (not that other people won't find flaws in it, they are plenty of obvious ones just littered all over the place). But I have got to get it done soon as I have a CD release show booked at CBTG's for January 1st (more details on that to come as I get shit organized).
The album will be under the name of my band "Patrick Canning & the Suffering Mothers" and will possibly be titled "Let's Celebrate, With Blood!". It will be 65 minutes long with 14 tracks which a lot of people will say is stupid because audiences barely have patience for a 4 song EP nowadays. But fuck those people, I still like my albums the way they're supposed to be: long and meandering with a ton of filler. You can listen to it in installments if you are too lazy or impatient to sit through the whole thing, but hopefully that shouldn't be a problem.
I've already made two fancy shmancy videos that are sure to shock ya eyelids but they won't get uploaded until I have the thing ready to sell. One of them is a fully hand animated thing I made frame by frame in photoshop that I think worked out pretty good, but you have to tell me what you think of it when I finally get it revealed.
Anyway, I gotta finish up and start the promotion train engine up to full throttle until I inevitably run it off the tracks in a few months. Make sure you got me on your RSS feed as new non-self-promotional posts are coming at you in the very near future.